Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work. Related Paintings of Luca Signorelli :. | The Crucifixion with St.Mary Magdalen | Doctors of the Church | Sermon and Deeds of the Antichrist | The Virgin and Child among Angels and Saints | The Madonna and the Nino with prophets | Related Artists:
a. jernbergAugust Jernberg, född 16 september 1826 i Gävle, död 22 juni 1896 i Dusseldorf, var en svensk konstnär.
Han målade först porträtt och historiska, bibliska motiv, men blev på 1860-talet en genre- och även landskapsmålare. Bland de svenska Dusseldorfmålarna var han den främste koloristen.
Han studerade vid Konstakademien 1843-1846 och reste sedan till Paris, där han studerade under Thomas Couture 1847-1853. 1854 slog han sig ned i Dusseldorf och stannade där till sin död, men företog kortare studieresor. Han blev ledamot av Konstakademin 1865, men tillhörde 1885 opponenterna. Han var dessutom ledamot av Konstakademien i Dusseldorf.
Även hans son Olof Jernberg (1855-1935) var konstnär.
GENTILESCHI, OrazioItalian Baroque Era Painter, ca.1563-1639
Although he was eight years older than Caravaggio, he is nevertheless regarded as a Caravaggesque artist, so deeply was his mature style affected by his knowledge of the younger painter's art. His response to Caravaggio was intensely poetic, and none of Caravaggio's many gifted followers produced more beautiful pictures.
Hugo Vogelpainted Martin Luther preaching at the Wartburg in 1882